The Resurrection of Christ mk93
c.1639
Oil on canvas on panel
36 3/8x27 1/8in
Alte Pinakothek,
Munich
new10/REMBRANDT Harmenszoon van Rijn-592364.jpgPainting ID:: 34425
The Resurrection of Christ mk93
c.1635-39
Oil on canvas on panel
91.9x67cm
Munich,Bayerische Staatsgemalde sammlungen
new10/REMBRANDT Harmenszoon van Rijn-542573.jpgPainting ID:: 34554
The Resurrection of Christ mk247
c.1463,fresco,88.675x78.75 in,225x200cm,pinacoteca civica,sansepolcro,ltaly new20/Piero della Francesca-377858.jpgPainting ID:: 55951
Italian Early Renaissance Painter, ca.1422-1492 Italian painter and theorist. His work is the embodiment of rational, calm, monumental painting in the Italian Early Renaissance, an age in which art and science were indissolubly linked through the writings of Leon Battista Alberti. Born two generations before Leonardo da Vinci, Piero was similarly interested in the scientific application of the recently discovered rules of perspective to narrative or devotional painting, especially in fresco, of which he was an imaginative master; and although he was less universally creative than Leonardo and worked in an earlier idiom, he was equally keen to experiment with painting technique. Piero was as adept at resolving problems in Euclid, whose modern rediscovery is largely due to him, as he was at creating serene, memorable figures, whose gestures are as telling and spare as those in the frescoes of Giotto or Masaccio. His tactile, gravely convincing figures are also indebted to the sculpture of Donatello, an equally attentive observer of Classical antiquity. In his best works, such as the frescoes in the Bacci Chapel in S Francesco, Arezzo, there is an ideal balance between his serene, classical compositions and the figures that inhabit them, the whole depicted in a distinctive and economical language. In his autograph works Piero was a perfectionist, creating precise, logical and light-filled images (although analysis of their perspective schemes shows that these were always subordinated to narrative effect). However, he often delegated important passages of works (e.g. the Arezzo frescoes) to an ordinary, even incompetent, assistant.
The Resurrection of Christ mk247
c.1463,fresco,88.675x78.75 in,225x200cm,pinacoteca civica,sansepolcro,ltaly